Some unknown, latent and future James Holmes is watching this Hollywood blockbuster — the obscenity, the tears, the poems, the floral tributes, the public rage and worldwide notoriety — and, in his warped way, kind of liking what he sees.

Vexed by the blanket coverage of the Denver cinema slaying, Matthew Parris suggests that the worst parts of American cinema have become part of the Western imagination

Notes

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